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Showing posts with label string theory. Show all posts
Showing posts with label string theory. Show all posts

Carver Audain


parse
05/19/12

expanding particle
echoes upon lines

scratching the carbon
for grain time

wave of memory
furrows the brow

crossing curbs
hushed

shadow stretching
a measure of string

the circumference
ever expanding

http://carveraudain.com/
http://carveraudain.bandcamp.com/

dalot + ( )


trans oceanic communique




bridges like spines

five-headed borough

sound+vison
jeremy slater aka ( ) and maria papadomanolaki aka dalot 

map: julius schmidt 1878

SHARKSLEEP





to sing, to be
in counterpoint

to the sky
bicameral

always conscious
of the sea

S H A R K S L E E P

Matt Marble voice/guitar ::  Bob Jones bass
Jim Altieri violin/accordion :: Jessie Marino cello

Jonathan Schenke engineer

BOB BELLERUE : Rainbow Luthiers of the Dusk














Rainbow Luthiers of the Dusk

City of angels native son and maker of noise Bob Bellerue has transplanted his noise culture to Eastern shores and now traverses Brooklyn blocks. He performs solo, works as a duo with Raven Chacon as KILT, and collaborates far and wide including projects with Telecult Powers, Tecumseh, Francisco Meirino and Smegma.

Leaving an indelible mark on the Los Angeles scene through his music and by founding the performance space Il Corral, he encouraged experimental musicians by providing a safe haven for their atypical endeavors.

***

This track is built around a core Supercollider patch which Bob has been elaborating upon since 2001, along with 4 guitar pedals, a tube mic pre-amp, hollow body guitar, 14" spring reverb, loose guitar pickup, 2 radios, AM radio transmitter, 2 mixers, and 2 guitar cabinets.

"As a composer and performer, I'm less interested in a predictable journey through notated and pre-known paths of sound; I have my plans, but I'm more motivated by the slimmest sense I can achieve of rediscovering the material in the moment of sound making. Some times this comes from sudden changes of knob twiddling, or arranging my equipment in a slightly different way than I normally do, or listening from the other side of the room. External forces can be incorporated, accepted as part of the cosmos that is the sound. It may be more of a "sound happening" than a composition - setting up a situation with captured energy and seeing where it goes when you let it loose, more energy focused on listening to what is happening in the moment, rather than spewing my pre-digested masterpiece over a deaf, dumb and dead world. I'm not always a bombast, but I do have a morbid compulsion towards activating the gut through energy, and that is one way to activate my higher capacities as they say, or, the way to my heart is through oscillating my innards. I don't generally work via compositional theories, but poetic / revolutionary ones - be yourself, keep it radical, don't wait for anyone's permission, do things the wrong way, listen to what is outside of your object(ive), don't follow every idea until they return twice or more to you, change the envelope, bring half your gear and make something happen, paraphrase the same Cage quote as often as possible ("a mistake is merely an inability to keep up with the present moment"), practice, improvise, mix it up, be brave and righteous, set your world on fire. Like I said, I have my plans, but I am often pouring piss and vinegar on them, and charring them in the fire of experience." -B.B.

halfnormal

CORE OF THE COALMAN



Core of the Coalman aka Jorge Boehringer

Core of the Coalman
consists of continuity and discontinuity for viola, voice and circuits on the border between order and chaos. Sonically diverse and sometimes explosive in texture, Core of the Coalman emphasizes the physicality of sound and its psychological relationship with our perceptual and environmental mechanics.

As Jorge envisions his multi-faceted approach:
"A compound eye may consist of thousands of individual photoreception units.
The image perceived is a combination of inputs from the numerous ommatidia (individual "eye units"), which are located on a convex surface, thus point in slightly different directions.  This results in a specific type of focus, in which multiple systems of polymathic pursuits are allowed to progress at their own rates, attaining, as such, a unified, rather than fractured, perceptive, though a perspective different from that enjoyed by our ancestors...human and otherwise."

While currently based in Prague, CZ, for the better part of the past decade Jorge was a vital part of the San Francisco Bay Area's fertile noise scene and counted among his collaborators members of
D Yellow Swans, Grouper, Marfa and Ne-Af, XBXRX, 16 Bitch Pile Up, Liz Albee, 7 Year Rabbit Cycle, Miba, and the Grey Daturas.

Jorge is joined tonight by good friend Che Chen.

***

Jorge Boehringer : viola, voice, electronics
Che Chen : violin, tape machines, percussion


Core of the Coalman : pt 1
Core of the Coalman : pt 2

lynx:
myspace
opakptak

三富栄治 : EIJI MITOMI



Eiji Mitomi is a Tokyo based guitarist whose open ears and open tuned strings ring with complex harmonics within deceptively simple forms.

Steel tones chime to record their passage on transcontinental railroads...A chord unfolds to offer columns of sound passed through mountain passes.

Kage Tomoyuki
and Warren Ng join in on the drone and add counterpuntal cumulonimbus into the rising system. Together their calling patterns blur the blues to shine silver sodium light.

***

Eiji has 3 releases on Nobukazu Takemura's Childisc Recordings

***

Eiji Mitomi: solo acoustic

Eiji Mitomi: solo electric

Eiji Mitomi : mountain guitar
Kage Tomoyuki : harmonium
Warren Ng : hexagonal guitar


***

www.eijimitomi.com

s h o u t o u t ! ! thanx to Jeremy Slater for connecting the circuit

Ian Epps < mvmnts n a feeld fgraen >




filld fgraen
frtill t feeld

btwxt t fngerngs
brkken ltches, xtom ptches
englisc y glitch

***
Ian Epps is a sonic/visual artist whose explorations are invested in how an object speaks, utters, and dissolves itself within its given surroundings. Recent releases can be found on SoftL Music, Grain of Sound, Powershovel Audio, On;(do), Seasonal, and Unframed Recordings.


mvmnt 1
mvmnt 2


i::a::n:::e::p::p::s