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Showing posts with label custom modified. Show all posts
Showing posts with label custom modified. Show all posts

e M B A R K E R
















eMBARKER
is the project of Michael Roy Barker.

eMBARKER burns electronic waveforms
that splinter like porcupines rolled out by a steamroller.
Circuits in collision,
improvisations for post-ADHD living.

Sound-tracked video lives from the lost and found.
Audio obsessions. Experiments and interactions with found media.
Rewound and repurposed audioscapes that disassemble and challenge mainstream media identities. Frenetic offerings to alternative paths of thought and action.

Movements on the fractured table via live electronic interface.
>sweat >sparks >sound.
Modular synths, radical routing and vox processing.
Clamped strings and black boxes
> bent/retooled.

Multiples and mutations gathered to form a monophonic signal.
A singular voice.


I α

I β

II


eMBARKER has released a CD of found answering machine tapes on Heresee Records and a compilation of found video on Sendhelp.

s h o u t o u t s ! S h a r k s W i t h W i n g s ! W e t C e m e n t !
T h e G e o r g e S t e e l t o e E n s e m b l e !

txt fst [elephant]

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rahrahree!

Kurt Gottschalk and Tamara Yadao create mid-air palindromes with guitars and speaking voices. Theirs is a geometry of oratory where words and meaning are of slippery significances only as important as the listener wants them to be.


I
a Book [txt: Gertrude Stein]
b The Days Are Getting Longer Again [txt: KG]

c Lorem Ipsum [txt: found / TY]
d The Language Didn't Ask [txt: KG]

II

6 Coincidences [txt: KG/TY]

III
Health Food Dynamics [txt: found]

IV
a Can Hear Something But Not Make Out the Song / And In
[txt: found]
b Military Phoenetic Alphabet [txt: found]

c Anthrax [txt: Allen / Burnham / Gill / King]

***

all music = rahrahree!
rahrahree! = Kurt Gottschalk [voice (right), guitar (left)]
+ Tamara Yadao [voice (left), guitar (right)]

This is rahrahree!’s fourth performance. Yadao and Gottschalk are also the curators of txt fst.

S H O U T O U T !
Thanks to Andrew Beccone and the Reanimation Library for yr open source cross-reference desk and providing overnight horse and stable!

RAHTID! SOUND kar klash BLOCK PARTY!



SATURDAY o9 18 2010

RAHTID! SOUND
NORTH GUINEA HILLS
RÁDIO RUÍDO


EASTERN DISTRICT
43 Bogart Street
Bushwick, BROOKLYN

come dub dub, come all all!

Ethan Crenson @ 78rpm : O Calypsonian


78rpm enthusiast Ethan Crenson presents a selection of Calypso tracks, all played directly from original shellac pressings.
***
"Calypso music arose from the island of Trinidad. The music was topical, competitive and lively. Popular singers of Calypso erected their own thatch-roofed tents during Carnival season and charged admission. When a singer visited his competitor's tent, there was often a "war". Two singers in a cutting contest, extemporizing rhyming couplets often based on the news of the day, the people assembled in the crowd, or on descriptions of the singer's own prowess. "For veteran Calypsonians are known to be, Men who can sing on anything instantaneously", a singer is quoted rhyming in the liner notes to an album of Calypso 78s from the 1940s.

In the 40s Calypso invaded the US, and more to the point, New York City. Calypso performers took stage at the Village Vanguard. Sir Lancelot performed there in his signature tuxedo. Duke of Iron played engagements there for a full 10 months. In December of 1946 Alan Lomax organized 2 "Calypso at Midnight" concerts at New York's Town Hall. And there were recording sessions.

Among the artists, Trinidadians include: Sir Lancelot (Lancelot Victor Edward Pinard), Lord Beginner (Egbert Moore), Duke of Iron (Cecil Anderson), Lord Invader (Rupert Westmore Grant), Lord Kitchener (Aldwyn Roberts), Macbeth the Great (Patrick McDonald), and The Lion (Hubert Raphael Charles). But Calypso also took hold in other locations. From Bermuda came Sidney Bean and the Talbot Brothers. And from the U.S. a dancer at the Cotton Club, Murial Gaines became a popular Calypso singer. There is also the "Calypso Jazz" amalgam represented here by the little known Jack Sneed.

A final offering is not Calypso at all, but it is island music. The Orchestre De La Boule Blanche played Biguines from the French island of Martinique in the early 1930s."
-E.C.

***
1) Sir Lancelot - Atomic Energy [charter 102] {1947}

2) Lord Beginner (Egbert Moore) w/Felix and his Internationals - Norah the War is Over [disc New York 5008] {1946}

3) Duke of Iron et. al. - Jam Session (Duke of Iron, quatro; Victor Pacheco, Violin; Gregory Felix, clarinet; Modesto Calderon, bass) [Stinson 105-2] {?date}

4) Muriel Gaines the Enchantress with Sam Manning's Serenaders - You Got To Have Power [national Records 8001] {1945}

5) Lord Invader (Rupert Grant) Felix and his Internationals - Yankee Dollar - Disc New York 5008 {1946}

6) Lord Kitchener acc. by St. Vincent Street Six - Too Late Kitch [lyragon 720] {1953}

7) Jack Sneed and his Sneezers - West Indian Blues [decca 7566] {1939}

8) Lord Invader (Rupert Grant) Felix and his Internationals - New York Subway - [disc new york 5009] {1946}

9) Sidney Bean and his Trio - Collegian Invasion [bermuda 2003] {?date}

10) Archie Talbot - The Gombey Dance [bermuda talbot brothers T5] {?date}

11) Roy Talbot - The Coronation Story [bermuda talbot brothers T5] {?date}

12) MacBeth the Great with Gerald Clark and his Original Calypsos - Rufus Hold Me Tight - Guild 136 {1945?}

13) The Lion with Gerald Clark and his Original Calypsos - Excursion [guild 136] {1945?}

14) Sir Lancelot - Old Woman With a Rollin' Pin [charter 102] {1947}

15) Sir Lancelot with Gerald Clark's Caribbean Serenaders - Trinidad is Changing [keynote 549] {?date}

16) Orchestre De La Boule Blanche (sous la Direction de Charlery Banguio) - Maladie D'Amou - [columbia DF 428] {1931}

17) Orchestre De La Boule Blanche (sous la Direction de Charlery Banguio) - C'est Biguine - [columbia DF 428] {1931}


*Note to audophiles: The absurdity of transferring 78rpms to mp3s does not elude us any more than the absurdity of "capturing" an audio moment in flux and presenting it frozen as a rare artifact foreverafter.
We reflect upon both the desire for audiofidelity and presenting the state of these artifacts. The turntable used is a Esoteric Sound Ramses II turntable which appears to be a modified shell of a Technics 1200 though instead of direct drive it employs a belt-driven system.
No noise reduction and only slight EQ adjustments were made in the transfer. Enjoy the surface noise! -r.r.

bryanEUBANKS/andrewLAFKAS


^
a) Charles Dodge - Changes vs. Earth's Magnetic Fields [none vs. such]
b) Andrea Polli - Solar Wind - 8 Soundworks {nysae}

from saxophone to signals sent
from string accompaniment and rising rent

from friends through multiple pedals bent
safe passage to St. Petersburg

^^
c) Vatic - dad_in_9_min - 8 Soundworks {nysae}
d) Matt Marble & Seth Nehil - aprupture - ecllipses [and/OAR]

bryanEUBANKS/andrewLAFKAS : LIVE SET


^^^
e) Guiseppe Ielasi from (another)stunt [taigaa/schoolmap]
f) Mauricio Kagel - Antithese
g) Pulse Emitter - Hauler - Nakamichi [gmby]

bryanEUBANKS : solo

UNCLE WOODY SULLENDER



Uncle Woody Sullender is reinventing the banjo as we sleep.
Not forsaking fingerpicking, but trading in the clawhammer for wireless tech.
This is not Delta autopilot over the Appalachians. Instead, imagine.
Taking off self-powered, from Kitty Hawk, upwind and further out, to cross the Outer Banks and crossing the Atlantic with a hacked GPS unit.
All the while...fingers and feet spinning...above the waves.

Utilizing custom electronics and reworking the head of the banjo as a loudspeaker, Woody reinvisions sound for the post 8-bit world while preserving the banjo's unique voice and sense of history.

When We Get To Meeting with Seamus Cater now out on Dead CEO

1) Tetsu Inoue + Andrew Deutsch from Field Tracker [anomalous]
2) John Hudak - The House Is Made of Evening Twilight - Wind Rain and Cloud to Human Beings [sound of pig]
3) Eric La Casa / Cedric Peyronnet from La Cruese [herbal]
4) Area C - Outside the Flaming Body - HAUNT [last visible dog]
5) Emeralds from What Happened [no fun]
6) Sean Morriarty - The Brown Thorn [lomax]
7) Ballinakill Ceilide Band - Sack of Potatos / The Maid of Mt Kisco [lomax]
8) Uncle Woody Sullender - Aphelion Counting - Nothing is Certain But Death [dead ceo]
9) Robert Urquhart Brown - The Earle of Seaforth's Salute {canntaireachd} [ubuweb]
10) Alborada de Vigo/ Canto de espadela/ Canto de arreiro {Galician folklorica} [lomax]
11) John Fahey - The Yellow Princess - The Yellow Princess [vanguard]
12) Uncle Woody Sullender & Seamus Cater - While Sails Billow - When We Get to Meeting [dead ceo]

UNCLE WOODY SULLENDER *** live set

13) Uncle Woody Sullender & Seamus Cater - Static Blues - When We Get to Meeting [dead ceo]
14) Christian Fennesz - The Black Sea / The Colour of Three - The Black Sea [touch]
15) Newton - POST ANTI-MATTER HEADACHE [deep fried tapes]
16) Dalot - View from a hill - Flight sessions ep [coo]
17) Reverse Mouth {placenta popeye split 7"}
18) Wolf Eyes & Black Dice - One [fusetron]
19) Set Nourriá - Habitec Oualâche Nghir
20) B'Net Marrakech - Leilaa Lill
21) Tribe al-Serif {festival pt II} Master Musicians of Jajouka

mas diddlage

drawing: Jakup Ferry