PH/RR : Bodies in Resonance

Rotations in tandem. Pendulums swing.
Past, present, and future in frequency.

Oscillations amplified.
Artifacts and vehicles.
Turntable, magnet,
acetate and tape.

Galileo 1602.

set O
1) PGR - The Powerful Present - Silence [silent]
2) Nurse With Wound - A Missing Sense {split cassette w/ Organum} [united diaries]
3) Donna Parker - Agility Trail - Debutante [twisted village]
4) Chrome - You've Been Duplicated - Half Machine Lip Moves [touch and go]

set OO
5) The Dead C - Sky - Clyma est mort [siltbreeze]
6) The Coachwhips - My Baby, I Killed Her [show and tell]
7) Jim Sauter/Don Dietrich/Thurston Moore - Tanned Moon - Barefoot in the Head [forced exposure]
8) You've Got Foetus On Your Breath - I Am Surrounded By Incompetence - Deaf [thirsty ear]
9) Alberich - Paneriai - Psychology of Love [hospital productions]
10) Whitehouse - My Cock's On Fire (Long Version) - Great White Death (Special Edition) [susan lawly]
11) Âmes Sanglantes - Murder of Key [hospital productions]

set OOO
12) Severed Heads - Book - Clean [dogfood production system]
13) Einstürzende Neubauten - Tanz Debil - Strategies Against Architecture [dutch east india trading]
14) The Fall - Spectre vs. Rector - Dragnet [a step-forward]
15) Flying Lotus - Jurassic Notion/M Theory - Pattern+Grid World [warp]
16) William Hooker - The Coming One - The Firmament Fury [silkheart]
17) Miles Davis - Miles Runs the Voodoo Down - Bitches Brew [columbia]


mix: Paul Haney and Rádio Ruído
photo: Joseph Beuys - Radio {1961}

txt fst [foxtrot]

dAVID mOSCOVICH
CAPTCHA Poem A
CAPTCHA Poem B

Going Upstairs To Bed

Blame Satan
Afterbirth

***

tAMARA yADAO
Breath Stop v.2
[vox: TY] [sound: TY] [word/text: TY/found]
[coughing:Chris Burke/TY]

***

mIKEY IQ jONES
Glycemic

***

dAVID mOSCOVICH founded Louffa Press to promote new, innovative microfictions in limited run, handmade editions. His stories and interviews have appeared in Word Riot, Rain Taxi, The Rumpus, Fringe and others. He has been playing the amplified bicycle for seven years and lives in Sunset Park, Brooklyn.

tAMARA yADAO employs structure in improvisation to highlight failure aesthetics and meaning in conceptual methods of sound-making and juxtaposition. Current explorations include compositions for re-purposed machines, electroacoustic composition in virtual space and the spoken word. Materials may include house-hold electronics, mechanical instruments, guitar and voice. Pieces are purposed for the single channel, multi-channel performance installation and live performance.

mIKEY IQ jONES often works in a solo medium, using primitive sampling devices to process and arrange live sound materials drawn from the artist's voice, body, and arsenal of found object percussion. Glycemic is an improvised text arrangement derived from the artist's reading excerpts of his diabetic food diary, which logs blood glucose levels, medication dosages, and food intake.

txt fst concept and curation: kURT gOTTSCHALK and tAMARA yADAO

ANDY GRAYDON : Untitled (plate tectonics)

performed live : October 18, 2010
from LMAKseries; part of LMAKprojects monthly performance series.

















performing in order:
Andy Graydon : (plate i)
Joyce Kim : (plate ii)
MOSTRA - Gabriela Monroy and Caspar Stracke : (plate iii)
Nils Karsten : (plate iv)
Tmm Mulligan : (plate v)
Nathan Carter : (plate vi)

++++++++++++++++++++++

With the volume of the Atlantic Ocean as a lens between bodies, this architectural interventional audio performance gathers and further iterates ideas from Andy's gallery installation at PROGRAM, Berlin.
Gallery goers were encouraged to listen and use audio tools to map the parameters of the gallery's architectural space.
The tools being Andy Graydon's 12 acetate recordings, dubplates pressed from field recordings of the ambient sound of NYC museums and exhibition sites.

For the LMAKseries performance, the dubplates of the PROGRAM installation were displaced into the hands of six guests who mixed them to manipulate the aural environment of the gallery. By process of overlapping their performances and building on the others contributions the guest artists dubbed the space of exhibition, remixing and overlapping the artifacts of audio of other exhibition spaces. The dubplates' acetate body decays through the friction of play yet the live spontaneous reworking yields possibilities for new material, new plates, new structures.

"By installing excavated stones from New Jersey in a gallery, Robert Smithson, in the late 1960s, revealed the dialectic between abstract and actual locations. Sometimes in containers, sometimes piled, the stones in the gallery represented a far away location without resembling it. Something of New Jersey, Smithson maintained, was held in those rocks and their displacement resulted in the expansion of the original site, both physically and conceptually.
The Site Non-Site dialectic, as Smithson called it, feels particularly familiar today as our daily lives are continually reshaped by place-defying technologies in communication, information and travel."
- Carson Chan : notes on the installation at PROGRAM, Berlin.

++++++++++++++++++++++++++++++++

Special thanks to Richard Garet.

GILL ARNO

WALKED
rewinding recorders > thermal electrics > light projectors
> small motors > muscle memory

IN/EX/D
"recordings from various places where i grew up and so on.
playing brings me to a sort of dreamland, which i keep exploring and landscaping, re-assessing and re-defining, more or less impulsively, more or less deliberately."

FOUND
"four of them are in the picture above. the first was found around the corner from where i live, the second was handed to me in the lower east side and has been mostly re-recorded in williamsburg's streets, the third was used to record the subway in milan, circa 1997, the last was found in my apartment when i moved in. people whom i know had lived here before us came from iran, portugal, switzerland and the u.s.a."

x>gill.arno.101910.audio>x

mpld
unframed recordings
fotofono

RUST WORSHIP

Paul Haney from the extraordinary label Obsolete Units returns to home base Brooklyn after a romp at the Neon Marshmallow fest in Chicago.

Unleashing noise on the molecular level as Rust Worship, he performs blood music for broken machines, turntable and tape decks.

Eject that old TDK C-90 metal cassette from your deck and throw this in sans Dolby noise reduction and let the corrosion begin.

RUST WORSHIP : live set

三富栄治 : EIJI MITOMI

Eiji Mitomi is a Tokyo based guitarist whose open ears and open tuned strings ring with complex harmonics within deceptively simple forms.

Steel tones chime to record their passage on transcontinental railroads...A chord unfolds to offer columns of sound passed through mountain passes.

Kage Tomoyuki and Warren Ng join in on the drone and add counterpuntal cumulonimbus into the rising system. Together their calling patterns blur the blues to shine silver sodium light.

***

Eiji has 3 releases on Nobukazu Takemura's Childisc Recordings

***

Eiji Mitomi: solo acoustic

Eiji Mitomi: solo electric

Eiji Mitomi : mountain guitar
Kage Tomoyuki : harmonium
Warren Ng : hexagonal guitar

***

www.eijimitomi.com

s h o u t o u t ! ! thanx to Jeremy Slater for connecting the circuit

Ian Epps < mvmnts n a feeld fgraen >

filld fgraen
frtill t feeld

btwxt t fngerngs
brkken ltches, xtom ptches
englisc y glitch

***
Ian Epps is a sonic/visual artist whose explorations are invested in how an object speaks, utters, and dissolves itself within its given surroundings. Recent releases can be found on SoftL Music, Grain of Sound, Powershovel Audio, On;(do), Seasonal, and Unframed Recordings.


mvmnt 1
mvmnt 2


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