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Showing posts with label improv. Show all posts
Showing posts with label improv. Show all posts

Chris PITSIOKOS / Jorge ESPINAL




How it came together, a matter of moments
joined through their intent

who knew? one walked from around the corner,
the other from south continent

Gestural measures, mental sparks
aural give and take

through texture, through vowel, let ears collide
wide, wide, awake.

^
^ ^
^ ^ ^
^ ^ ^ ^

brass manifesto = CHRIS PITSIOKOS > Brooklyn
gtr (preparada) = JORGE ESPINAL > Buenos Aires

otra otra
ricarda cometa
pitsiokos
jack

BRIAN CHASE : Drums and Drones



















open snare meditations with feedback loop

(  )

(  )  (  )

(  )  (  )  (  )

to time
an impulse

magnetic measure
of skin of space
invisible
tangible
ecstatic

"...i am sitting inside a drum..."  - C.C.

http://www.chasebrian.com

颜峻 : Yan Jun













Beijing based artist Yan Jun creates new thought structures via sound and language.

Yan's current sound works deploy inventive configurations of headphones which allow groups of listeners to share an extended reflexive ganglion cluster.

Multiple headphones are linked via a hub to a recorder and a pair of mics which in turn feedback via a single pair of head-free headphones. Akin to a temporary external neural net the listeners form a symbiotic organism as they share a single set of ears while their collective body impacts upon the audio environment. By deploying a variety of microphones in motion to capture phonography near and far afield a backdrop is provided for the participants which grounds subsequent audio events.

The scenes shift with immersive microfeedback, creating dynamic tension between the everyday world around us and the linked individual nervous systems. Subtle body movements and improvised actions yield instantaneous aural shifts of great intensity.


one

two

all-in


www.yanjun.org
www.subjam.org

image courtesy of randy h.y. yau

李剑鸿 : Li Jianhong


Radiating noise from Hangzhou
Cross the mainland, cross the seas

Feedback from the ground to the treetops,
Opposable thumbs vs. magic boxes

Improvised environmental interactions
Seasonal shift shifting
wind, ear and mind.



monkey

king

***

Li Jianhong

李剑鸿的小站

RADAR LOVE II













DJ MANGOON + RÁDIO RUÍDO
return image rotations


aA
1) ( ) - static 1 - ( ( ) ) [parenthesis media]
2) Ryojo Ikeda - zone 3/zone 4 - 1000 fragments [cci]
3) wolfram - dust #3 - thinking dust [monotype]
4) John Hudak - The House Is Made of Evening Twilight -
Wind Rain And Cloud To Human Beings [sound of pig]

bA
5) Morton Subotnik - Lamination {Buffalo Philharmonic Orch.,
Lukas Foss, Conductor} [turnabout vox]
6) Sheik Anorak/Weasel Walter/Mario Rechtern - Wotizup? -
Wire Tapper 25 [gaffer]

sA
7) Jooklo Duo - Fire Liberation [northern-spy 7"]
8) Pharoah Sanders - Memories of Lee Morgan -
Village of the Pharoahs [impulse]
9) Dutch Oven from Eaten Alive {classic horror soundtracks vol 2}

dA
10) Tatsuya Nakatani from Bowed Metal Orchestra {135/150}
11) {unknown tech ambient}
12) Christine Sehnaoui/Michel Waisvisz - Wig Wag - Shortwave
[al maslakh]
13) Michael Zerang {percussion} with Jassem Hindi {electronics}
from CEDARHEAD [al maslakh]
14) phroq - Stress of Recording Distress -
connections, oppurtunities for mistakes [shiver sounds]

AA
15) Lasse Marhaug from Spaghetti Western Rainbow [utech]
16) Stellar Om Source - Alliance - Alliance [self-release]

fA
17) Dolphins into The Future - On the High Seas -
On Sea-Faring Isolation [notnotfun]
18) Ignaz Schick/Dawid Szczesny from The View Underneath [non visual objects]
19) Vladislav Delay - Stop Talking - Whistleblower [huume]
20) seth nehil & matt marble - flock - ecllipses [and/OAR]

image courtesy of Audubon Society: collar tag data locations of coyote Big Mama on the outskirts of Chicago.

GRASSHOPPER














A unique synthesis of sound, ___________ is an arboreal specialist. It prefers coniferous stands but also may be found in deciduous tree and shrubs. This dynamic noise has deep green upperparts and a striking pattern of purple and white on the underside of the ___________.
The upper edges of the effects chain are accented with black, and the distal portions of the dual horns are tinged purple or dark brown. ___________ are difficult to observe unless found in a patch of young trees where they are know to erupt with lightening manoeuvres.

.

Songs
Murky Elegy / Frozen Moods : a two parted oblooooooq at around 9Hz. (given every few seconds).

Bugle Corpse : a less common eruption of zzzzzzt zzzzzzt.

Lullaby for Glauco Martin : a series of txtxsips at about 15hz (shared affinites with the forked-tail variety).

.

mas linkage

illustration
Karen Aragon


tWISTYcAT



4 legs and 4 lungs, multiple bends, mad digits.
An electroacoustic shared body of synched sensory activity.

Lea Bertucci
: bass clarinet, tape loops, feedback systems
Ed Bear : tenor sax, radio, feedback systems

shorthair i
shorthair ii
longhair

Elemiechen : Boswijck > Bushwick
Six corners collide on the GPS.
Got a fix on a fixie whizzing by...
Outside, hornblare of Syosset Trux.

Deep doppler anticipating the future
signal to noise ecology.

Landscape with erratics.
Brick, steel click echoes,
elevating off the JMZ.

Burnt solder, plastic brass.
Belly to bellow,
to hold in unison,
the trunks of the trees

JORDON SCHRANZ: cajas negras de las cruces



Jordon Schranz on mission, out from the Tigerasylum, running under desert skies to cross a continent and return to Brooklyn haunts.

With travels to tHE eASTERN sEABOARD on his mind,
Mr. Schranz artfully folds the body of a double bass
into a number of small black boxes.
With experience he evades random road blocks.
Outside the limits of Las Cruces, New Mexico,
a detour suggests itself around white sands, radium springs.
As the sun begins its rise, he reorients the far horizon.

The mountain range is not an illusion.
Quivers are loaded with the newly notched.
Swapping in and out of pinstripes, a camouflage of sorts,
he migrates east to walk solo alongside expanses of asphalt.
The dry air tracing back gold dusted trails near the dew line.

History and the water table shifts, a sudden rumble below our feet.
This seepage is inevitable despite attempts at civil engineering.
Currents shift crosslength to create patterns in the depths.
With guidance from the Black Saints, paths are revealed in the darkness.
Temporary rivers roll, extending their fingers
Sun baked brick bounces a question mark off steel glass towers.
Heatwaves carry a nOISE tRACK on the wind.
Travails to challenge the general dynamics of industrial reasoning.

Whence he crossed an arroyo, where once was parched,
a river now flows forth.
Copper canyons, echos of erosion
A raw wind, carrying the memory of rain
.

CORE OF THE COALMAN



Core of the Coalman aka Jorge Boehringer

Core of the Coalman
consists of continuity and discontinuity for viola, voice and circuits on the border between order and chaos. Sonically diverse and sometimes explosive in texture, Core of the Coalman emphasizes the physicality of sound and its psychological relationship with our perceptual and environmental mechanics.

As Jorge envisions his multi-faceted approach:
"A compound eye may consist of thousands of individual photoreception units.
The image perceived is a combination of inputs from the numerous ommatidia (individual "eye units"), which are located on a convex surface, thus point in slightly different directions.  This results in a specific type of focus, in which multiple systems of polymathic pursuits are allowed to progress at their own rates, attaining, as such, a unified, rather than fractured, perceptive, though a perspective different from that enjoyed by our ancestors...human and otherwise."

While currently based in Prague, CZ, for the better part of the past decade Jorge was a vital part of the San Francisco Bay Area's fertile noise scene and counted among his collaborators members of
D Yellow Swans, Grouper, Marfa and Ne-Af, XBXRX, 16 Bitch Pile Up, Liz Albee, 7 Year Rabbit Cycle, Miba, and the Grey Daturas.

Jorge is joined tonight by good friend Che Chen.

***

Jorge Boehringer : viola, voice, electronics
Che Chen : violin, tape machines, percussion


Core of the Coalman : pt 1
Core of the Coalman : pt 2

lynx:
myspace
opakptak

DJ MANGOON > Coronal Mass Ejection




DJ Mangoon and Rádio Ruído drop solar static and observe 11 year cycles on endless loop

CORONAL
> dj mangoon
1) John Carpenter - main theme from "Escape from New York" (1980)
2) Oneohtrix Point Never from Returnal [mego, 2010]
3) Babe Rainbow from Shaved E.P [warp, 2010)
4) Walter Carlos - Spring - Sonic Seasonings [columbia]

MASS
> rádio ruído
5) Rome - Leaving Perdition - Rome [thrill jockey]
6) Mialessot w/Daniel Carter & Old Ghost - Hemorrhage - Getting Rid of the Glue [pendu]
7) Barnacled - Cloud Pump - Pick Some Specimens [self]
>> dj mangoon
8) Love Cry Want - Peace (for Dakota and Jason) - Love Cry Want {1972} [weird forest]

EJECTION
>> dj mangoon
9) Paul Dunmall & Chris Corsano - Identical Sunsets - Identical Sunsets [esp disk]
10) Keith Fullerton Whitman - Variations for Oud & Synthesizer {pt 1}
>>> rádio ruído
11) Embarker - Tiger Woods' Teeth - Embarker [malleable/send help]
12) Brian Osborne - Fivefold Rotational Summary - Osborne/Zajack split12" [heat retention/deep fried tapes]
13) Burning Star Core {rehearsal excerpt} (2002) - Mes Soldats Stupides '96-'04 [cenotaph]
14) {artist unknown} - Shur on Tar - Iranian Music and Drum Rhythms from Iran [limelight]
>>> dj mangoon
15) Bill Orcutt {out out out}

s h o u t o u t s !! Snake Plissken, Axel F, Italo Calvino !!

image courtesy > SOLAR PHYSICS RESEARCH DEPT.
Trinity College, Dublin : Coláiste na Tríonóide, Baile Átha Cliath

brownout : 2 X 3



Lights a-flicker and tracks a-shudder.

*** *** ***
brownout is self described by one Rick Brown as "a caveman with a tambourine and a sinewave generator."

A reinvention of songforms and chain reactions via repurposed electronics, solo vox and inserted hand/street percussion. Through these pared down songs we witness a strong challenge to the media production values of channel G100Z big bad band sound, inc.

Distressing NYC grid structures since V-Effect no wave days, Rick continues to snap switches and such under dim lights with forward thinking projects Rattle, Two Mule Team and Inconvenient Music.

*** *** ***
brownout: Interpretations 3

They Can't Get It {v-effect}

It'll Never Happen Again {hardin}

Mark E. Smith & Brix {manning}


*** *** ***
brownout: Improvisations 3

> tapemachine1

> tapemachine2

> crickets

*** *** ***
Third Thursday Presents:
RATTLE & MEGAN REILLY
JUNE 17, 2010 7pm
City Reliquary

Dan Peck > HEAT RETENTION > Brian Osborne



A tuba frenzy was declared. Dan Peck and Brian Osborne answered the call. Along with Tom Blancarte the three form The Dan Peck Trio.
Tuba, drums, bass, depth, anxiety & release.
Dan intriques with his improv and plays tribute to eastern bloc survivor and extended technique pioneer Zdzistaw Piernik.
Brian retains heat after a 1300 mile bike ride from Brooklyn to St. Augustine and kicks the decks instead of bass drum this night.

Heat Retention Records presents:
DAN PECK TRIO RECORD RELEASE PARTY
Saturday, June 26th, 8pm - 10pm:
feat. The Dan Peck Trio, Embarker and Grasshopper
LIKE THE SPICE
224 Roebling Street. Brooklyn, NY 11211}{718-388-5388}

***
intro ruido
i) Max Roach - You Stepped Out of a Dream - Deeds, Not Words [riverside]
ii) Dirty Dozen Brass Band - Inside Straight - The New Orleans Album [cbs]
iii) Laventille Rhythm Section from Two Rhythms [honest jon's]

BRIAN OSBORNE : Selector
Drunk Decade - Kensoteric - Dorsil Kilt [deep fried tapes]
Eskimo King - Gjoa - Eskimo King / Afternoon Penis split 12" [abandon ship]
Dan Peck Trio - Zombie Blood {teaser} - Acid Soil [heat retention]

DAN PECK : Selector
Charles Wuorinen - Trio for Bass Instruments
Ralph Shapey - Brass Quintet; movement I {American Brass Quintet}

DAN PECK : solo tuba

Improvisation I
Improvisation II

A Tribute to ZDZISTAW PIERNIK
i) Witold Szalonek - Piernikania {performed by Zdzistaw Piernik: solo tuba}
ii) Camil Saint-Saens performed by Zdzistaw Piernik - Elephant / Swan
{being two selections from "Carnival of the Animals"} [muza polskie nagrania]
iii) Zdzistaw Piernik plays compostions of Piotr Zabrodski - Teraz Wybuch/Gdzie Indziej/Cyk-Pyk - Namanga [vivo]

BRIAN OSBORNE : mixed decks
a) Paper Legs from 3 x 3 [heat retention]
b) Human Adult Band - Exit Th' King - La-Dee-Frickin-Da [abandon ship]
c) Cakes of Light - The Inward Eye - Save Your Self 12" [heat retention]
d) Paper Legs from 3 x 3 [heat retention]
e) Twistycat - Ultra Low Frequency Object {endless cassette} [obsolete units]

HEAT RETENTION RECORDS

s h o u t o u t s ! Tim Ross, Trevor Healy, Jay Dunbar, Embarker,
Ray Draper, Reverse Mouth!

bryanEUBANKS/andrewLAFKAS


^
a) Charles Dodge - Changes vs. Earth's Magnetic Fields [none vs. such]
b) Andrea Polli - Solar Wind - 8 Soundworks {nysae}

from saxophone to signals sent
from string accompaniment and rising rent

from friends through multiple pedals bent
safe passage to St. Petersburg

^^
c) Vatic - dad_in_9_min - 8 Soundworks {nysae}
d) Matt Marble & Seth Nehil - aprupture - ecllipses [and/OAR]

bryanEUBANKS/andrewLAFKAS : LIVE SET


^^^
e) Guiseppe Ielasi from (another)stunt [taigaa/schoolmap]
f) Mauricio Kagel - Antithese
g) Pulse Emitter - Hauler - Nakamichi [gmby]

bryanEUBANKS : solo

UNCLE WOODY SULLENDER



Uncle Woody Sullender is reinventing the banjo as we sleep.
Not forsaking fingerpicking, but trading in the clawhammer for wireless tech.
This is not Delta autopilot over the Appalachians. Instead, imagine.
Taking off self-powered, from Kitty Hawk, upwind and further out, to cross the Outer Banks and crossing the Atlantic with a hacked GPS unit.
All the while...fingers and feet spinning...above the waves.

Utilizing custom electronics and reworking the head of the banjo as a loudspeaker, Woody reinvisions sound for the post 8-bit world while preserving the banjo's unique voice and sense of history.

When We Get To Meeting with Seamus Cater now out on Dead CEO

1) Tetsu Inoue + Andrew Deutsch from Field Tracker [anomalous]
2) John Hudak - The House Is Made of Evening Twilight - Wind Rain and Cloud to Human Beings [sound of pig]
3) Eric La Casa / Cedric Peyronnet from La Cruese [herbal]
4) Area C - Outside the Flaming Body - HAUNT [last visible dog]
5) Emeralds from What Happened [no fun]
6) Sean Morriarty - The Brown Thorn [lomax]
7) Ballinakill Ceilide Band - Sack of Potatos / The Maid of Mt Kisco [lomax]
8) Uncle Woody Sullender - Aphelion Counting - Nothing is Certain But Death [dead ceo]
9) Robert Urquhart Brown - The Earle of Seaforth's Salute {canntaireachd} [ubuweb]
10) Alborada de Vigo/ Canto de espadela/ Canto de arreiro {Galician folklorica} [lomax]
11) John Fahey - The Yellow Princess - The Yellow Princess [vanguard]
12) Uncle Woody Sullender & Seamus Cater - While Sails Billow - When We Get to Meeting [dead ceo]

UNCLE WOODY SULLENDER *** live set

13) Uncle Woody Sullender & Seamus Cater - Static Blues - When We Get to Meeting [dead ceo]
14) Christian Fennesz - The Black Sea / The Colour of Three - The Black Sea [touch]
15) Newton - POST ANTI-MATTER HEADACHE [deep fried tapes]
16) Dalot - View from a hill - Flight sessions ep [coo]
17) Reverse Mouth {placenta popeye split 7"}
18) Wolf Eyes & Black Dice - One [fusetron]
19) Set Nourriá - Habitec Oualâche Nghir
20) B'Net Marrakech - Leilaa Lill
21) Tribe al-Serif {festival pt II} Master Musicians of Jajouka

mas diddlage

drawing: Jakup Ferry